Description
Beverly McFarland was CALYX’s Senior Editor; Margarita Donnelly was the Director; Micki Reaman was the Managing Editor; and Teri Mae Rutledge was the Promotions Coordinator. The CALYX Editorial Collective is the recipient of many honors, including the 1996 Oregon Governor’s Award for the Arts.
Katherine Sturtevant | Apple and Stone |
Marisha Chamberlain | Firewood |
Molly Gloss | The Doe |
Carol Orlock | There Are Colors |
Julia Alvarez | New World |
Cherríe Moraga | It Is You, My Sister, Who Must Be Protected |
Phyllis Wolf | White-Out |
Beth Brant | The Fifth Floor—1967 |
Linda Hogan | Crow |
Sandra Scofield | Loving Leo |
Claribel Alegría | Luisa in Realityland (excerpts) |
Shirley Sikes | Falling Off the Matterhorn |
Valerie Matsumoto | Two Deserts |
Marianne Villanueva | Siko |
Shirley Geok-lin Lim | Native Daughter |
Tahira Naqvi | Paths upon Water |
Amy Jones [Sedivy] | Sanctuary |
Kathleen Alcalá | The Transforming Eye |
Ruthann Robson | Lives of a Long-Haired Lesbian: Four Elemental Narrations |
Charlotte Watson Sherman | Killing Color |
Maria Luisa Puga, Translated by Julie Albertson |
Young Mother |
Rosa Margot Ochoa, Translated by Bertie Acker | Happy Mourning |
Aiyana Trotter | We Have Always Stashed Our Bones in the Closet |
Barbara Branscomb | Walking Away |
Beth Bosworth | Sheets |
Alicia Ostriker | Esther, or The World Turned Upside Down |
Viki Radden | A Thing about Italy |
Carolyn Barbier | Nighthawks |
Kim Silveira Wolterbeek | Sarah’s T-Bird |
Terese Martineau | Sister Zita |
M. Evelina Galang | Her Wild American Self |
Hollis Sesamon | Gypsies in the Place of Pain |
Dee Axelrod | River |
Rebecca Lavine | Afterward |
Kristin King | The Wings |
Margaret Willey | Scissors Girl |
Rita Marie Nibasa | A Line of Cutting Women |
Reviews
“What an extraordinary collection of worthwhile writing, brave in many cases, beautiful in almost all.” —Grace Paley
“This impressive collection of first-rate short fiction is like a jeweler’s tray of tidy, brilliant gems. Fine literary talent—some well known, others who will become so—has been assembled in a cross-cultural range from Japanese to Jewish, Native American to Korean , Mexican to Mormon. Anyone who still doubts the existence of a multicultural ‘women’s culture’ will be forever changed by this book—and will have enjoyed a fine read in the bargain.” —Robin Morgan
“A refreshing, rich, satisfying collection…. A great mix of voices including Jewish, Mormon, lesbian, Native American, African American, Asian and Mexican and styles ranging from the plain spoken to the magical/ mystical.” —ForeWord
Reviews
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