“Returns Department” by Jan Schmidt
“Returns Department” by Jan Schmidt

“Throughout the jiggling trip, stopping and starting, grumbling motor, people getting on and off, trees and ocean whizzing by, I ignore it all to administer the silent treatment to Nick. He’s acting like he doesn’t notice the thousand cuts from my icy glares, but he’ll find out I’m not playing. Today I’m returning Nick to his parents.” 

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“Red Rover” by Julia Rose Greider
“Red Rover” by Julia Rose Greider

“It all starts, Margaret will see later, with the old voicemail that plays through her earbuds on the train to work one morning in the first September Cara is gone. In that moment Cara begins to be resurrected, meticulously pruned, like a bonsai. I have some exciting news, she says, not really Cara but only the captured sound waves that are all that’s left of her by then. I need to tell you about it. And I want to hear what’s up with you. Okay, love you. Call me.”

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Animal Afterlife Review by Brianna Flavin
Animal Afterlife Review by Brianna Flavin

“I read this collection shortly after the sudden death of one of my best friends. I picked it up, even though I didn’t feel any spark for art. I started reading in the bath. Then I was on the bathroom floor, water cold, a little shocked to return to myself in human form, holding a book.” 

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“The Maple” by Emily Mohn-Slate
“The Maple” by Emily Mohn-Slate

“If I could just get one thing done
If I could set the to do list on fire                                 
If I could create a clearing
I might hear the Japanese maple outside the window
           whispering in stillness and light”

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“Red Pajamas” by Yuliya Musakovska
“Red Pajamas” by Yuliya Musakovska

“We leave in a respected line
wearing red:
We’ve been sent good weather,
orange fish that flip over beneath the bridge,
a building of rust-colored brick that you exit as if from your body.
You can’t have everything.
No one has everything.” 

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“The Sublime Edge of Absence” by Theresa Anne Padden
“The Sublime Edge of Absence” by Theresa Anne Padden

Rare is the child, or adult for that matter, who doesn’t wonder what it would be like to lose a sense. I was six or seven the first time I wondered—lying on my stomach in the front yard of our house in San Mateo, the grass cool, prickling against my bare belly, the light stippling through the leaves of the elms that ringed our yard and round a circle of children, siblings and friends, heads close together, whispering,
“What would you rather be: deaf or blind?”

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